Are my thrillers historical fiction or fictionalized history?

I simply write novels about times, places, and characters I would like to read about.

I don’t live in the past. But my mind wanders there quite often, and my imagination hardly ever wants to leave.

Why? I asked myself.

Maybe, it’s because I’m bored with the present, I told myself.

Life has its hardships still. Life has its conflicts still.

But life is too easy for fiction.

Need to go cross-country? Grab a plane.

Car breaks down in the middle of the desert? Call AAA roadside assistance.

Scared on a lonely street in the middle of the night? Fish out a cell phone.

Someone following you? Call 9-1-1.

Where is the fear?

Where is the panic?

Where is the threat?’

Where is the suspense?

For me, it’s all buried somewhere in the dark and murky shadows of the past, which is why my last two published novels have all been set during the early days of World War II, when villains wore the faces of evil, and we never forgot the way they looked or the travesties they committed, and we knew who our enemies were.

As I wrote in Secrets of the Dead:

The German’s eyes were bright and beginning to dilate. A sudden rush of unbridled adrenaline had shot through his veins. His hands were trembling. He had killed from afar. He had hidden in trenches and behind hedgerows and shot down soldiers who had no names and no faces, only forms marching across an empty field.

Now he must kill face to face.

Now he must kill close enough to smell the garlic on the dying man’s breath.

Now he must kill close enough to watch life depart from a man’s eyes.

He hesitated.

A man who hesitates always dies long before his appointed time.

It was a thriller that could not have been set during any other period of history.

For those under forty, it might well be regarded as historical fiction.

But for those of us who remember World War II, even as young children, the events, the memories, the fears are still as vivid as if they had happened yesterday. For us, it’s not history at all. It is a black and white snapshot of our lives, taken when the world was black and white with no gray lines to smear the two.

I can still remember our family gathered around the radio at night, listening to Edward R. Murrow reporting from the bombed out streets of London, Walter Winchell’s coming on each evening saying, Good Evening Mr. and Mrs. America and all ships at sea, and Gabriel Heatter signing on with, There’s good news tonight, no matter how bad the news might be.

I was asked a month or so ago whether or not I wrote historical fiction. I had never thought about it, but I don’t think I do. It is fiction about the past, and the events are real, the places are real, the basic conflicts are real, and some of the major players are real.

But the story is a lie. The story is fiction.

It didn’t happen.

It could have.

But it didn’t.

“No,” I said, “I don’t write historical fiction. I write fictionalized history.”

“What’s the difference?” I was asked.

“Historical fiction is written to satisfy professors and historians,” I said. “I simply write novels about times, places, and characters I would like to read about.”

“But they’re in the past,” he said.

I smiled.

“They weren’t when I lived them,” I said.

Please click HERE to find Secrets of the Dead on Amazon.

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  • Yes, but you should always market as historical fiction TOO. Some young ‘uns will read them because they like historical fiction. All fiction is based on human life, even that in aliens in the far future. Because our READERS are living in the present. And want to travel.

    And live other lives.

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